Bio
I write original scores for films that have premiered at Venice, Tribeca, BFI London, Rotterdam, Fantasia, and Outfest, among others, with distribution on PBS, HBO Max, Apple TV, Canal+ and Hulu; and multiple online features on Nowness and Vimeo Staff Picks. My music has been licensed to network television in the US and Europe, as well as the Peabody-nominated podcast Scene on Radio.
As a teenager, I began studying music composition under William Mival, then Head of Composition at the RCM and now a regular BBC Radio 3 broadcaster. I went on to study under Emily Howard, a two-time Ivor Novello Award-winning composer. I then moved to New York City to train in film scoring under Chris Hajian, composer of City of Lies (Johnny Depp) and Tin Soldier (Jamie Foxx, Robert De Niro). From there, I spent several years working full time as a sound designer, dialogue editor, and mixer for Brooklyn post-production studios, on national ad campaigns, trailers, podcasts and films, alongside a brief, NDA-bound period ghost-orchestrating for a platinum-selling music artist turned film composer.
I approach every project as a search for new sounds, leaning into the unknown to find a musical language that feels unexpectedly connected and true to the story: how do we bring an authentic, new voice to visual storytelling without falling back on overused tropes?
My personal music, heard on the 'Albums' tab, is piano-based, melodic, and introspective. Recorded simply on an average upright piano through inexpensive microphones, with none of the production and polish of my studio film work. I leave in what most would edit out: the mechanical noise of the piano, the movement of the body and the chair, occasionally my dog who lays by my feet, taking a sigh or moving slightly. Not a pursuit of noise, but of an honest, living moment that resonates right with me.
Today I work from Creatures of Sound, a scoring and post-production studio I built in New York's Catskill Mountains, with an open door for creatives who want mountain privacy to collaborate and create.
Contact: info@alex-symcox.com
Notable Works
Greenland Melting — Venice Film Festival (Venice VR competition), PBS Frontline/NOVA production
Reset (dir. Jerry Hsu / Celine Tien) — Fantasia Film Festival premiere, executive produced by Lucy Liu
In the Bubble with Jaime Harrison (dir. Emily Harrold)— World Channel, distributed on PBS, executive produced by Charlamagne Tha God
Holy Curse (dir. Snigdha Kapoor) — BFI London Film Festival premiere, Oscar-qualified short, executive produced by Lilly Singh, streaming on Canal+
Wonder (dir. Javier Molina) — Licensed by HBO in 2020, premiered at Outfest LA, screened at 40+ festivals worldwide
Peer Raben Music Award (2020) — Soundtrack Cologne, Germany.
Maze of Joy (dir. Liam LoPinto) — from the director of The Old Young Crow, Oscar-qualifying, EP'd by Arian Moayed (Succession) and Rayka Zehtabchi (Academy Award winner)
Bleeding (dir. Andrew Bell) — Premiered at Dances With Films NYC, streaming on Apple TV
Meal Ticket (dir. Wes Andre Goodrich) — Tribeca Film Festival, streaming on Hulu, Oscar-qualifying
Tropicalía (dir. Rodney Llaverías) — Premiered at International Film Festival Rotterdam
The HongFu Hotel (dir. Tian Xu) — Tribeca Film Festival
Palm Sunday (dir. Wes Andre Goodrich) — New Orleans Film Festival, Oscar-qualifying
Last Man Up (dir. Hazel McKibbin) — Palm Springs International ShortFest
Where the Wind Buries (dir. Charles Dong) — FIRST International Film Festival, Xining
Nip (dir. Thea Brooks & Taylor Karin) — Dances With Films
Sound to Sea (dir. Ryan Craver) — Audience Award, Atlanta Film Festival & New Orleans Film Festival
Fat Lip (dir. Ryan Craver) — Outfest Fusion, World Premiere